Luther Cora

Luther Cora is a contemporary artist who hails from the rich cultural backgrounds of Aboriginal and Australian South Sea Islander heritage. With a diverse range of artistic skills, Luther works across various mediums including photography, painting, and sculpture just to name a few. However, it is in the realm of portrait photography where Luther has dedicated the past few years, focusing on honing his craft and capturing the essence of his subjects.

Through his art, Luther's love for culture, family, family stories, family history, and faith shines through. His work serves as a reflection of his deep appreciation for his roots and the importance of preserving and sharing these narratives. Luther's artistic expressions are a testament to his passion for capturing the beauty and diversity of his heritage, while also conveying the profound connections that bind us all.
A person holding a tablet and looking at the Anzac App

Artist statement

The sculpture titled Double Edged Blade - Blessing or Curse is a thought-provoking art installation that aims to explore the complex history and identity of Australian South Sea Islanders. The centrepiece of the installation consists of cane knives, each adorned with family names and traditional style artwork, suspended from a leaf representing fruit trees.

The traditional artwork on the cane knives serves as a representation of the vibrant culture that emerged from the hardships of slavery. It highlights how the cane knife, once a tool of oppression, has now become an integral part of their culture and identity. This transformation prompts contemplation on whether their history was a blessing or a curse.

The leaf from which the cane knives hang symbolises the fruit trees that hold significant meaning within the artist's family. Growing up, the artist's mother shared stories from their grandparents revealing that beneath each fruit tree on their property, the remains of South Sea Islanders who had passed away were buried. The abundance of fruit trees on their land serves as a poignant reminder of the lives and legacies of those who came before them.

The artist invites viewers to reflect deeply on the origins of Australian South Sea Islanders and their role in the country's history. The installation raises questions about whether their arrival in Australia as slaves, forced to cut cane and work the fields, was predetermined or a matter of choice. Were their names already engraved on those very cane knives, symbolising a predetermined destiny?

Through this installation, the artist challenges viewers to confront the complex history of Australian South Sea Islanders and the impact of forced labour and indentured servitude in primary industries. It invites contemplation on how their presence in Australia has shaped their current reality and who they are as a community.

Double Edged Blade - Blessing or Curse encourages viewers to engage in a deep and introspective dialogue about the historical legacy of Australian South Sea Islanders, the resilience of their culture, and the ongoing quest for identity and belonging.

Note: This art didactic provides an interpretation of the artwork based on the given description. The artist's intention may vary, and viewers are encouraged to form their own interpretations and reflections.

Links